Malik Oussekine

In this file photo taken on 4 December 1987, shows flowers and letters lay in front of the entrance of 20 rue Monsieur le Prince in Paris where Malik Oussekine died. His tragic story will be told on-screen with a Disney+ mini-series and a film ‘Our Brothers’ which will be shown at the Cannes Film Festival. Image: Michel Gangne

‘France’s George Floyd’: The Malik Oussekine story gets screen treatment

The story of Malik Oussekine, the ‘French Arab George Floyd’ will be told on screen decades after his death at the hands of French police.

Malik Oussekine

In this file photo taken on 4 December 1987, shows flowers and letters lay in front of the entrance of 20 rue Monsieur le Prince in Paris where Malik Oussekine died. His tragic story will be told on-screen with a Disney+ mini-series and a film ‘Our Brothers’ which will be shown at the Cannes Film Festival. Image: Michel Gangne

The name resonates deeply among French minorities as a symbol of police violence, but it has taken 35 years for the death of Malik Oussekine to be recounted on-screen.

On the night of 6 December 1986, two police officers beat to death a 22-year-old French-Algerian on the sidelines of a student protest in Paris.

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TWO VERSIONS OF THE MALIK OUSSEKINE STORY

He had not been involved in the demonstration, and his killing became a turning point – triggering weeks of unrest and leading to the unprecedented conviction of the officers.

While Oussekine’s name has continued to reverberate among minorities, his story has never been adapted for the screen until now.

As if making up for lost time, two versions are being released this month: a film, Our Brothers, premieres at the Cannes Film Festival, and a Disney+ mini-series, Oussekine, is released worldwide on Wednesday.

“He was attacked because of the colour of his skin. He is France’s Arab George Floyd,” historian Pascal Blanchard told AFP, referring to the African-American whose death at the hands of police in 2020 sparked massive international protests.

He said much of French society had allowed Oussekine’s story to be brushed under the carpet as with so much of its troubled history with immigrant populations.

“It’s not a question of whether Malik Oussekine has been forgotten, but by who?” said Blanchard.

Pascal Blanchard

MALIK OUSSEKINE’S DEATH MARKED THE END OF TOTAL POLICE IMPUNITY

France is still wrestling with the trauma of its colonial period, particularly the bloody war of independence in Algeria from 1954 to 1962.

Among its darkest moments was the massacre of up to 200 Algerian protesters by police in Paris on 17 October 1961 – many of them shot dead and their bodies thrown into the Seine.

The events of that day went officially unacknowledged for decades until President Emmanuel Macron finally described them as “inexcusable crimes” at the 60th anniversary last year – though without apologising.

Oussekine’s death was crucial in marking the end of total police impunity – the first time that officers were convicted for this type of crime, according to the family’s lawyer, Georges Kiejman.

THE DEATH OF MALIK OUSSEKINE IS PART OF THE FRENCH NATIONAL STORY

It has taken until now, as the grandchildren of the original wave of North African immigrants come of age, for there to be enough distance and confidence to address the past.

“For our generation, it is important to say that these individual stories form part of the French national story. They are not separate. These are French stories,” said Faiza Guene, 36 and born to Algerian parents, who helped write the screenplay for Oussekine.

Faiza Guene

Its director, Antoine Chevrollier, was part of the team behind hit spy series The Bureau, and the lauded political saga Baron Noir.

“The important thing is to make this name and this story resonate so that we never forget,” he told AFP.

Chevrollier, who grew up in a small village in the Loire Valley, says he only became fully aware of the power of Oussekine’s name when he moved to Paris and began to hang out with people from different backgrounds.

“I hope the series will help ease the tensions that are unsettling the country. It is time that we in France begin to treat these historical cancers.”

Antoine Chevrollier

© Agence France-Presse/Alexandra Del Peral